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Speaker Mike Johnson @SpeakerJohnson - We are horrified by the terror attack in Austin, Texas and our hearts and prayers are with the victims and their families.
We are also grateful to the brave law enforcement and first responders for their swift actions in apprehending the assailant and caring for the injured.
America will not be intimidated or terrorized. We will defend our homeland.
Quote
New York Post @nypost
Austin bar mass shooter possibly motivated by Iran attacks, Quran found in car as FBI eyes terrorism after 2 killed, 14 injured https://trib.al/UNNRPJU
https://x.com/SpeakerJohnson/status/2028201591828844740
Sprinter Press @SprinterPress - Israeli Broadcasting Authority: The latest Iranian missile barrage toward Jerusalem coincided with a meeting of the mini-ministerial cabinet.
>>/24326559/ pb
https://x.com/SprinterPress/status/2028222748980322587
Steve Guest @SteveGuest - THREAD: For 47 years, the Iranian Regime has been regularly targeting and killing Americans.
Here is a timeline of 50 plus examples of Iran hurting America and terrorizing the world.
1979: The Iranian regime took over the U.S. Embassy in Tehran resulting in a 444‑day hostage crisis.
1983: The Iranian regime provided material support to Hezbollah for the Beirut Marine barracks bombing that killed 241 U.S. service members.
1984: The Iranian regime’s proxy Hezbollah kidnapped CIA station chief William Buckley in Beirut. Buckley died in captivity.
1984: The Iranian regime’s proxy Hezbollah carried out the truck bomb attack on the U.S. Embassy annex in Beirut, killing 24.
https://x.com/SteveGuest/status/2027816006668963947
SubRosa )✿( Magick @subrosamagick.bsky.social @SubRosaMagick - Bexleyheath, England. 1958. A girl is born into a house where sound never stops. Piano keys under her father's fingers. Folk music from her mother's record player. Brothers filling every room with instruments and noise. This isn't a family that tolerates creativity. This is a family that breathes it. By eleven, Catherine Bush is writing songs that make no sense for a child. Death. Longing. Gothic literature. Her melodies don't sound like the radio. They sound like something pulled from another century, another world. At fifteen, her brother passes a demo tape to David Gilmour of Pink Floyd. He listens as a favor. What he hears stops him cold. This teenager from the suburbs has written something he's never encountered before. He pays for studio time himself. Gets her in front of EMI Records. At seventeen, she signs one of the biggest deals in music. Then EMI does something almost unthinkable. They don't rush her. They give her three years to grow, to write, to become who she needs to be. 1977. Kate reads Wuthering Heights. The ghost of Catherine Earnshaw crying out across the moors for Heathcliff. She doesn't just read it. She inhabits it. She writes a song from the ghost's perspective, her voice climbing into ranges most pop singers won't touch. Her label hates it. Too strange. Too theatrical.
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